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Morgan Le Fay from A Connecticut Yankee In King Arthur's Court, Chapter XVI
In dim samite was she bedight,
And on her hair a hoop of gold,
Like fox-fire in the tawn moonlight,
Was glimmering cold.
With soft gray eyes she gloomed and glowered;
With soft red lips she sang a song:
What knight might gaze upon her face,
Nor fare along?
For all her looks were full of spells,
And all her words of sorcery;
And in some way they seemed to say
"Oh, come with me!
"Oh, come with me! oh, come with me!
Oh, come with me, my love, Sir Kay!"—
How should he know the witch, I trow,
Morgan le Fay?
How should he know the wily witch,
With sweet white face and raven hair?
Who by her art bewitched his heart
And held him there.
For soul and sense had waxed amort
To wold and weald, to slade and stream;
And all he heard was her soft word
As one adream.
And all he saw was her bright eyes,
And her fair face that held him still;
And wild and wan she led him on
O'er vale and hill.
Until at last a castle lay
Beneath the moon, among the trees;
Its Gothic towers old and gray
With mysteries.
Tall in its hall an hundred knights
In armor stood with glaive in hand;
The following of some great King,
Lord of that land.
Sir Bors, Sir Balin, and Gawain,
All Arthur's knights, and many mo;
But these in battle had been slain
Long years ago.
But when Morgan with lifted hand
Moved down the hall, they louted low;
For she was Queen of Shadowland,
That woman of snow.
Then from Sir Kay she drew away,
And mocking at him by her side,—
"Behold, Sir Knights, the knave who slew
Your King," she cried.
Then like one man those shadows raised
Their swords, whereon the moon glanced gray;
And clashing all strode from the wall
Against Sir Kay.
And on his body, bent and bowed,
The hundred blades like one blade fell;
While over all rang long and loud
The mirth of Hell.
Morgan le Fay, one of the sisters of King Arthur; the others were Margawse, Elain, and Anne (Bellicent was his half-sister). Morgan calls herself “queen of the land of Gore” . She was the wife of King Vrience, the mother of Sir Ewain, and lived in the castle of La Belle Regard.
On one occasion, Morgan le Fay stole her brother’s sword, “Excalibur,” with its scabbard, and sent them to Sir Accolon, of Gaul, her paramour, that he might kill her brother Arthur in mortal combat. If this villany had succeeded, Morgan intended to murder her husband, marry Sir Accolon, and “devise to make him king of Britain;” but Sir Accolon, during the combat, dropped the sword, and Arthur, snatching it up, would have slain him had he not craved mercy and confessed the treasonable design. After this, Morgan stole the scabbard and threw it into the lake. Lastly, she tried to murder her brother by means of a poisoned robe; but Arthur told the messenger to try it on, that he might see it, and when he did so he dropped down dead, “being burnt to a coal”. Le Morte d'Arthur By Sir Thomas Malory
"And the third sister Morgan le Fay was put to school in a nunnery, and there she learned so much that she was a great clerk of necromancy. And after she was wedded to King Uriens of the land of Gore, that was Sir Ewain’s le Blanchemain’s father." Book I. Le Morte d'Arthur By Sir Thomas Malory
From Wikipedia, the free encyclopedia
Morgan le Fay, alternatively known as Morgaine, Morgain, Morgana and other variants, is a powerful sorceress and sometime antagonist of King Arthur and Guinevere in the Arthurian legend.
The early works featuring Morgan do not elaborate her character beyond her role as a fay or magician. She became much more prominent in the later cyclical prose works such as the Lancelot-Grail and the Post-Vulgate Cycle, in which she is said to be the daughter of Arthur's mother, the Lady Igraine, and her first husband, Gorlois, Duke of Cornwall; Arthur is her half brother by Igraine and Uther Pendragon. Morgan has at least two older sisters, Elaine and Morgause, the latter of whom is the mother of Gawain and the traitor Mordred. In Sir Thomas Malory's Le Morte d'Arthur and elsewhere, she is married, unhappily, to King Urien of Gore and Ywain is her son. Though she becomes an adversary of the Round Table when Guinevere discovers her adultery with one of her husband's knights, she eventually reconciles with her brother, and even serves as one of the four enchantresses who carry the king to Avalon after his final battle at Camlann.
As her name indicates, the figure of Morgan appears to have been originally a fairy rather than a human woman. Later transformed into a woman, and King Arthur's half sister, she became an enchantress to continue her powers. Inspiration for her character came from earlier Welsh mythology and literature; she has often been compared with the goddess Modron, a figure derived from the continental Dea Matrona featured with some frequency in medieval Welsh literature. Modron appears in Welsh Triad 70, in which her children by Urien, Owain and Morvydd, are called the "Three Blessed Womb-Burdens of the Island of Britain", and a later folktale preserved in Peniarth MS 147 records the story behind this conception more fully. Urien is Morgan le Fay's husband in the continental romances, while Owain mab Urien is the historical figure behind their son Ywain. Additionally, Modron is called "daughter of Avallach," a Welsh ancestor deity whose name can also be interpreted as a noun meaning "a place of apples"; in fact, in the story of Owain and Morvydd's conception in Peniarth 147, Modron is called the "daughter of the king of Avallach". This is similar to Avalon, the "Isle of Apples" with which Morgan le Fay has been associated since her earliest appearances. Additional speculation sometimes connects Morgan with the Irish goddess Morrígan, though there are few similarities between the two beyond the spelling of their names.
Morgan first appears by name in Geoffrey of Monmouth's Vita Merlini, written about 1150. Purportedly an account of the wizard Merlin's later adventures, it elaborates some episodes from Geoffrey's more famous earlier work, Historia Regum Britanniae. In the Historia, Geoffrey explains that after Arthur is seriously wounded at the Battle of Camlann, he is taken off to Avalon, the Isle of Apples, to be healed. In the Vita Merlini he describes this island in more detail and names "Morgen" as the chief of nine magical sisters who dwell there. Morgan retains this role as Arthur's otherworldly healer in much later literature.
Before the cyclical Old French romances, appearances of Morgan are few. Chrétien de Troyes mentions her in his first romance Erec and Enide, completed around 1170; he says one guest at the titular characters' wedding, a certain Guigomar, lord of the Isle of Avalon, is a friend of Morgan. She is later mentioned in the same poem when Arthur provides a wounded Erec with a healing balm made by his sister Morgan; this episode both affirms her early role as a healer and provides the first mention of Morgan as Arthur's sister. Chrétien again refers to Morgan as a great healer in his later romance Yvain, the Knight of the Lion, in an episode in which two ladies restore the maddened hero to his senses with a concoction provided by Morgan.
Later medieval literature Morgan's role is greatly expanded in the 13th century Lancelot-Grail (Vulgate Cycle) and the subsequent works inspired by it. The youngest of Gorlois and Igraine's daughters, she is sent to a convent when Uther Pendragon kills her father and marries her mother. There she begins her study of magic, but is interrupted when Uther betrothes her to his ally Urien. Unhappy with her husband, she takes a string of lovers until she is caught by a young Guinevere, who expels her from court in disgust. Morgan continues her magical studies under Merlin, all the while plotting against Guinevere. In subsequent chapters she uses her skills to foil Arthur's knights, especially Lancelot, whom she alternately tries to seduce and to expose as Guinevere's adulterous lover. In the Prose Tristan, she delivers to Arthur's court a magic drinking horn from which no unfaithful lady can drink without spilling, hoping to reveal the infidelity.
Thomas Malory mostly follows the portrayal of Morgan in the Vulgate and Post-Vulgate Cycles in his book Le Morte d'Arthur, though he expands her role in some cases. Through magic and mortal means, she tries to arrange Arthur's downfall, most famously when she arranges for her lover Accolon to obtain the sword Excalibur and use it against Arthur in single combat. Failing in this, Morgan throws Excalibur's protective scabbard into a lake.
The Fay turns up throughout the High and Late Middle Ages, generally in works related to the cycles of Arthur or Charlemagne. At the end of Sir Gawain and the Green Knight, it is revealed that the entire supernatural episode has been instigated by Morgan as a test for Arthur and his knights, and to frighten Guinevere. In the legends of Charlemagne she is most famous for her association with Ogier the Dane, whom she takes to her mystical island palace to be her lover. In the chanson de geste of Huon de Bordeaux, Morgan is the mother of the fairy king Oberon by none other than Julius Caesar.
ALL our superstitions, and a great part of our legendary lore, have descended to us from our, pagan ancestors. Aphrodite and Artemis selected lovers from among mortals;--Melusina, Viviana, Morgana, and other beautiful and celebrated fairies, followed their example in enthralling Christian knights.
"'We came to that green and fertile island which each year is blessed with two autumns, two springs, two summers, two gatherings of fruit,--the land where pearls are found, where the flowers spring as you gather them--that isle of orchards called the "Isle of the Blessed." No tillage there, no coulter to tear the bosom of the earth. Without labor it affords wheat and the grape. There the lives extend beyond a century. There nine sisters, whose will is the only law, rule over those who go from us to them. The eldest excels in the art of healing, and exceeds her sisters in beauty. She is called Morgana, and knows the virtues of all the herbs of the meadow.
She can change her form, and soar in the air like a bird; she can be where she pleases in a moment, and in a moment descend on our coasts from the clouds. Her sister Thiten is renowned for her skill on the harp.'
"'With the prince we arrived, and Morgana received us with fitting honour. And in her own chamber she placed the king on a bed of gold, and with delicate touch, she uncovered the wound. Long she considered it, and at length said to him that she could heal it if he stayed long with her, and willed her to attempt her cure. Rejoiced at this news, we intrusted the king to her care, and soon after set sail.'"
However formidable a front may be presented by the spectral array of doubts and difficulties, seeming impediments to faith in immortality, the faithful servant of God, equipped with philosophical culture and a saintly life, will fearlessly advance upon them, scatter them right and left, and win victorious access to the prize. So the mariner sometimes, off Sicilian shores, sees a wondrous island ahead, apparently stopping his way with its cypress and cedar groves, glittering towers, vine wreathed balconies, and marble stairs sloping to the water's edge. He sails straight forward, and, severing the pillared porticos and green gardens of Fata Morgana, glides far on over a glassy sea smiling in the undeceptive sun.
Charlemagne, according to the old chanson de geste entitled "Ogier le Danois," made war against the King of Denmark, defeated him, and received his son Ogier (Olger or Holger Danske) as hostage. The young Danish prince was favored by the fairies from the time of his birth, six of them having appeared to bring him gifts while he was in his cradle. The first five promised him every earthly bliss; while the sixth, Morgana, foretold that he would never die, but would dwell with her in Avalon.
On his way back to France, the ship was attracted by the famous lodestone rock which appears in many mediaeval romances, and, all his companions having perished, Ogier wandered alone ashore. There he came to an adamantine castle, invisible by day, but radiant at night, where he was received by the famous horse Papillon, and sumptuously entertained. On the morrow, while wandering across a flowery meadow, Ogier encountered Morgana the fay, who gave him a magic ring. Although Ogier was then a hundred years old, he no sooner put it on than he became young once more. Then, having donned the golden crown of oblivion, he forgot his home, and joined Arthur, Oberon, Tristan, and Lancelot, with whom he spent two hundred years in unchanged youth, enjoying constant jousting and fighting.