In the seventeenth century it was not uncommon for people in England to secure themselves against witchcraft after the manner Lowland Scotchmen protected themselves from Highland robbers—by paying "blackmail." In 1612 John Davice, a Lancashire man, agreed to give a dangerous witch, residing near him, a quantity of meal annually, on condition that she would not bewitch him or his. She adhered to her part of the contract, but Davice, like a foolish fellow, ceased to implement his part of it. The covenant being broken, he was no longer safe, and she bewitched him to death.

Many have heard of the Demon of Tedworth, in the county of Wilts, in the year 1661. Mr. John Mompesson, of Tedworth, hearing a drum beaten one day, inquired what it meant. The bailiff told him that the people had for some days been troubled with an idle drummer, who demanded money from them. On learning this, Mr. Mompesson sent for the man, and, on his coming, commanded him to lay aside his drum. At the same time the gentleman directed the constable to carry the disturber of the peace before a magistrate, in order to have him punished. The fellow begged earnestly to have his drum,[Pg 548] but it was not thought advisable to let him have it; therefore it was kept in Mr. Mompesson's house.

About a month after the drummer's apprehension, Mr. Mompesson's family were sadly annoyed by violent knocking and drumming—at times apparently in the house, and at other times seemingly on the house-top. This disturbance continued for weeks without much change, but then the annoyance became unbearable. An offensive smell pervaded the house; boards danced through rooms and passages by day; and at night, drumming was heard for hours together in the apartment where the drum lay.

To administer comfort, if not to afford protection, to the family, the minister and divers pious neighbours came to the house to pray. The clergyman knelt down at a bed-side, but soon rose again, to avoid being injured by shoes and other missiles thrown at him. Singing was sometimes heard, blue lights were seen, doors closed and opened with a bang ten times in as many minutes, although no one could be seen near them. During the time of a more than ordinary alarm, when many people were present, a gentleman said, "Satan, if the drummer set thee to work, give three knocks, and no more." Three knocks immediately followed. For further trial, the gentleman said, "If the drummer has instructed thee, Satan, to molest this innocent family, give five knocks, and no more, to-night." Five knocks were given in response, which were the last knockings heard before next day.

One morning Mr. Mompesson, seeing a quantity of wood in a corner of the house, discharged a pistol at the sticks, as he thought a person lay concealed under them. On their being removed, no one could be seen, but a pool of blood met the eye. For a whole year the family suffered by the wicked arts of the vagabond drummer. For his malicious doings he was tried at the Salisbury assizes. On the evidence of the parish minister, and of other intelligent witnesses, he was found guilty of sorcery, and[Pg 549] condemned to transportation. It is reported that, on the voyage to the penal settlements, he alarmed the sailors and endangered the ship, by raising storms which almost engulphed the vessel. The drummer told a few confidential companions that he had served in Cromwell's army with another soldier, a well-known wizard, who instructed him in the magical art.

Florence Newton was committed to Youghal prison the same year (1661) for witchcraft. The mayor of Youghal, in giving evidence against her, said there were three aldermen, whose children had been bewitched to death by the accused kissing the little ones. The indictment also contain a charge against her for bewitching David Jones to death, by kissing his hand through the prison grating. It appears that Jones and Francis Besely were watching Newton one night in the prison, to see if she had any familiars resorting to her. David Jones told the prisoner that he had heard she could not say the Lord's Prayer, to which she replied that she could. They found, however, that she could not repeat it. David tried to instruct her; but, all he could do, she would not utter the words, "Forgive us our trespasses." Seemingly grateful for his assistance, she asked him to come near her, that she might kiss his hand. He stretched out his hand, and she kissed it through a window protected with iron bars. Subsequently Jones told deponent that ever since the old hag kissed his hand he felt ill. At times he imagined she was pulling his arm. The court found Newton guilty of witchcraft, and she fell a victim to the popular superstition of her time.

Julian Cox, aged seventy years, was indicted at Taunton summer assizes in the year 1663, before Judge Archer, for witchcraft practised upon a young maid. The evidence against her was divided into two heads: first, to prove her habit and repute a witch; secondly, to prove her guilty of the witchcraft mentioned in the indictment.

[Pg 550]The first witness, a huntsman, swore that, while out with a pack of hounds to hunt a hare, not far from Julian Cox's house, he started one. The dogs chased the creature very close, so that it was fain to take shelter in a bush. He ran to protect the hare from being torn; and great was his surprise to find that, in place of a quadruped, there lay Julian Cox, panting for want of breath.

A farmer said she had caused his cattle to run mad. Some of the animals killed themselves by striking their heads against trees; and that nearly every one of his herd died, either through their own violence, or by a disease evidently brought on by witchcraft. To discover the witch, he cut off the bewitched animals' ears and burned them, an infallible process for bringing the offender to light. While those animal organs were consuming in the fire, Julian Cox came raging into the house, asserting she was being abused without cause. He once saw her flying through a window of her house in her own proper likeness.

In her declaration before a justice of the peace, Cox admitted that the devil often tempted her to be a witch. One evening there came riding on broom-sticks three persons—a witch, a wizard who had been hanged years before, and a black man. The last-mentioned tempted her to give him her soul; but, though he offered great rewards, she did not yield—no, not for a moment.

Judge Archer told the jury he had heard a witch could not repeat that petition in the Lord's Prayer, "Lead us not into temptation;" and having this opportunity, he would try whether any reliance could be placed in the report. He then asked the prisoner whether she could say the Lord's Prayer. She declared she could, and went over it readily enough, except the part thereof just quoted. Several chances were given her to complete the prayer, but she could not finish it without mistakes. The jury[Pg 551] found her guilty of witchcraft, and she was executed a few days afterwards without confessing her sins.

As an example of how the people's minds were filled with superstition, even in their merry moments, we give the following popular English song of the seventeenth century, as sung by Robin Goodfellow to the fairies:

"Round about, little ones, quicke and nimble;
In and out, wheele about, run, hope, and amble;
Joyne your hands louingly; well done, muisition:
Mirth keepeth one in health like a physicion.
Elues, vrchins, goblins all, and little fairyes
That doe filch, blacke, and pinch maydes of the dairyes,
Make a ring in this grasse with your quick measures:
Tom shall play and I'le sing for all your pleasures.
Pinch and Patch, Gill and Grim,
Gae you together;
For you change your shapes
Like to the weather:
Sib and Tib, Licks and Lull,
You all have trickes too:
Little Tom Thumb that pipes,
Shall goe betwixt you;
Tom, tickle up thy pipes
Till they be weary;
I will laugh ho, ho, hoh,
And make me merry.
Make a ring on this grasse
With your quicke measures:
Tom shall play and I will sing
For all your pleasures.
The moone shines faire and bright,
And the owle hollows:
Mortals now take their rests
Upon their pillows:
The bats around likewise,
And the night rauen,
Which doth use for to call
Men to death's hauen.
Now the mice peep abroad,
And the cats take them;
[Pg 552] Now doe young wenches sleepe,
Till their dreams wake them.
Make a ring on the grasse
With your quicke measures:
Tom shall play, I will sing,
For all your pleasures."

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